Josh Piterman (pictured) is known for his impressive musical theatre career, which includes An Officer and a Gentleman and West Side Story, but he’s also an Ambassador for the Australian Institute of Fitness. Now he’s combined his two loves of performing and fitness to create PITFIT; Australia’s first fitness centre tailored for hardworking entertainers; dancers, actors, and everyone in between.
“We often hear people comparing dancers to athletes,” Josh explains, “but unlike athletes, performers like myself have never had access to completely tailored strength and conditioning programs designed to help them move more dynamically and powerfully.”
On top of improving fitness levels, PITFIT is about specific strength and conditioning training to improve mind-muscle connections and avoid injuries.
PITFIT’s current clientele list reads like the program of a play, so don’t be surprised if you recognise a few faces when you walk in the door. Cast members from Wicked, Grease, King Kong and Les Misérables are already signing up to get in on the fitness action.… Read more
When is a cinema not a cinema? When it’s an arts hub. The former George Cinemas – which were last in action when Gus Berger rented them out for his George Revival Cinema from July 2013-February 2014 – were last destined to become a gym for a new apartment block, or so we thought.
Now it’s been announced that the space is the new project of theatre producer and investor Aleksander Vass. He’ll be transforming the three cinemas into two venues – one seating 500, the other around half that – to host theatre, opera, gigs, musicals, cabaret and comedy, as well as films. Renovations are expected to be completed by the end of 2014.
Richard Fitzgerald, pictured, is the general manager, and has in recent years revived the Arts Centre in Darwin and was general manager at Her Majesty’s Theatre in Melbourne. He tells Time Out that the original projectors will be dismantled and preserved off site to allow for a broader scope of digital films.… Read more
That’s right. Strictly Ballroom is taking flight, again. Audiences at Sydney’s Lyric Theatre have been enjoying the new production of this much-loved dance dramedy since April, but it will soon be our turn.
The life of the musical began in 1984 when Baz Luhrmann, along with other students at the National Institute of Dramatic Art (NIDA), penned the story of Scott Hastings, an Australian don’t-tell-me-I-can’t ballroom dancer. Since then it has been around the world and back, most notably in the form of the award-winning film released in 1992. Luhrmann and other members of the film’s creative team have reassembled for this new imagining, which stars Thomas Lacey as Scott and Phoebe Panaretos as Fran – both young performers for whom Strictly is their breakout role. Oscar-winning costume and set designer Catherine Martin (the talented mind behind the production design of Moulin Rouge and the Great Gatsby) has created the eye-catching visuals for the show, which are said to draw audiences in so closely that they feel as if they’re standing right on the sidelines of the ballroom dance championships.… Read more
The musical that even non-musical people know is well into its Regent Theatre run, which means that if you’re hoping to spend One Short Day in the Emerald City, you might run into problems nabbing the good seats online. Or, maybe you’re a dangerous, incredibly spontaneous type who makes theatre-going decisions at the last minute. Either way, no one wants to end up with the dodgy cheap seats up at the back.
Thankfully, Wicked has come up with a solution that will have you Dancing Through Life. It’s a ticket lottery, and it’s all very Broadway. On any performance night, you can go into the draw to win front row seats at a very affordable price.
How does this lottery work, you ask? Well, two and a half hours before the show begins, just head to the Gershwin Theatre box office and buy yourself a $35 lottery ticket (two per person – don’t be greedy).… Read more
Even the people passing by Southbank’s Opera Centre would’ve heard the final notes of Les Misérables ring out from the rehearsal room this morning. It’s just two weeks into preparation, and the cast of the Australian production, standing in choir formation in plain clothes, don’t miss a beat when they starting to perform ‘Do you hear the people sing’ in hushed, urgent tones. With only a piano behind them, the 30-strong group of men and women raise their voices to the rallying chorus of the finale. It’s a spine-tingling wall of sound. Even without the military tattoo drumming in time, for a moment we’re there on the barricades, defying soldiers and clinging onto freedom.
This is our first taste of the new Australian production of British theatre producer Sir Cameron Mackintosh’s new version of Les Misérables. The world’s longest-running musical has seen several large-scale reinventions in its 29 years, but this one could be the most ambitious yet.… Read more